Indian Lovin': A Man Called Horse (1970) and Broken Arrow (1950)

(from A Man Called Horse)
Can a White man only love an Indian woman by a river ? What's up with that ? Or is there a long line of descendants from the mother of all Indian-lovin' shots ? (from Broken Arrow)



Let's trace that genealogy if we can, shall we? (Some genealogical work on Broken Arrow here)

And while we're at it, I find this sequence (we fade from one image to the next) particularly gruesome (also from A Man Called Horse):




(I am particularly galled that this should pass off as authentic and respectful portrayal of the Sioux culture)